Begging to Be Seen: Beyoncé's »Partition«

Autor/innen

  • Chris Kattenbeck
  • Megan Lavengood
  • Sean Peterson
  • Holger Schwetter
  • Júlia Silveira

Abstract

This chapter analyzes Beyoncé's song »Partition,« focusing on how it embodies the complexities of her identity as a modern-day feminist while simultaneously engaging with patriarchal gender norms. Through the contrasting sections of »Yoncé'« and »Partition,« the song explores the tension between her public persona and private life, showcasing her as a sexual being devoted to her husband and a successful artist in control of her image. The analysis emphasizes that Beyoncé's portrayal of sensuality and marriage coexist with feminist ideals, ultimately challenging stereotypes of black female pop stars and illustrating that femininity and empowerment can be harmoniously integrated.

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Veröffentlicht

31.12.2024

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Rubrik

Special Section: Group Analysis — Guest Editors Samantha Bennett, Ralf von Appen, André Doehring & Dietrich Helms